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I struggled with two issues. One was the stability of the comedy and the drama. One other was to have an epic story that was so intimate. That was essential for me, to not get misplaced within the interval element however to know that this can be a story of basically three girls and to essentially floor it. And to do this, I made a decision that every character would have a distinct style that’s reflective of who they’re: In order that the daughter is extra ’80s-’90s pop. The grandmother is a tall teller of tales, as all grandmothers are, so she will get a spaghetti western. After which the mom, who, despite the fact that she’s created a brand new id, continues to be traumatized by an outdated previous — what you sometimes consider Persian movies, which is like [an Abbas] Kiarostami type of movie.
For me, it was essential that each one three girls get to inform at the least their model of the story. Once I was writing it, I couldn’t crack the story till I spotted my mom was the opposite author. As a result of she got here to this nation to write down her personal future, rewrite her life. As soon as I bought that, all the things else fell into place. I spotted all the boys are only a refrain to our tales. And sometimes, it’s the opposite approach round.
On that notice, do you actually have eight brothers?
In actual life, I’ve seven brothers. Within the story, I’ve eight. However I did develop up with one toilet. I’m very traumatized to this present day. I simply need to have my very own toilet. [Laughs]
The chaos of many siblings provides levity for certain. The film, regardless of tackling severe subjects, can be largely a comedy filled with huge meals scenes, choreographed dance sequences and tons of music, together with Moist Leg at first, but additionally Cyndi Lauper and Gagoosh.
Definitely after I was a child, Iran was synonymous with terrorist. And that was not my expertise of Iran or Iranians. I’m like, “We’re so lazy. How can we be terrorists? We prefer to take lengthy naps after lunch.” However actually, it’s not the individuals I do know; it’s not the tradition and the celebration, the music, meals. That’s an actual political factor, too, what features of our tradition are proven. I imply, if we are able to dehumanize individuals, it’s a lot simpler to invade them and to kill them and to take their oil and to create anonymous wars, faceless wars. So I believe the explanation I went into cinema post-9/11 was to create a extra nuanced view of our world. This movie is in some methods a fruits of my whole profession. I don’t imagine in all this divisive rhetoric, and I really feel like humor is a approach that we are able to join.
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