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The works on this exhibition by Indonesian artists, Bulan Fi Sabilliah and Fitri DK, touch upon the Indonesian New Order’s legacy of the primacy of prescribed magnificence beliefs and ladies’s home and reproductive roles over public and political roles. The artists’ playful photos expose societal norms and provide alternate options to understanding girls’s place in society that defy the restrictions of domesticity and sweetness beliefs and spotlight the empowering and agentic potential of ladies’s solidarity and organising towards patriarchal norms. The artists use print-making strategies as a reference to the medium’s position within the dissemination of data towards the New Order regime and into Reformasi to advocate for social justice.
Fitri DK
Fitri DK, makes use of graphic artwork strategies equivalent to woodcut and etching to critique and provoke dialogue on social and environmental points. Fitri is dedicated to elevating girls’s points by means of artwork and music. Fitri is lives and works within the South of Yogyakarta, Indonesia and is an energetic member of the SURVIVE!Storage group, Taring Padi artwork collective. Fitri can be lead vocalist of the band Dendang Kampungan. Over the previous decade, Fitri has exhibited in Australia, Europe and the USA, in addition to all through the Indonesian archipelago. Instagram: fitridk
Artist Assertion
My works document many memorable or vital occasions in my life. This physique of labor is impressed by the Girls’s March, a political motion that I participated in 2019 in Yogyakarta. The Girls’s March was organised to rejoice Worldwide Girls’s Day. This worldwide motion of solidarity, held in cities all internationally, attracts on world challenges and encourages social, cultural, authorized, and financial modifications on the native ranges so that ladies’s rights are acknowledged, fulfilled, and guarded.
The Girls’s March in Yogyakarta in 2019 highlighted the continued native problems with violence towards LGBTQI teams, safety of home staff and migrant staff, baby marriage, relationship violence, and safety of intercourse staff. I hope that by means of my artworks, I can unfold the message to the world that gender rights are a vital a part of human rights.
Bulan Fi Sabilillah
Bulan Fi Sabilillah is a visible artist dwelling within the South of Yogyakarta, Indonesia. Bulan works with the medium of print and etching to debate social points. Her considerations are predominately about difficult magnificence beliefs imposed by a patriarchal society and imposed on younger girls by social media. Her messages are of physique positivity and acceptance. Bulan is a latest graduate of ISI, the Indonesian Institute of the Arts, Yogyakarta. Instagram: Bulalalan
Artist’s Assertion
Commentary on folks’s our bodies – significantly girls’s our bodies – is a part of on a regular basis life in Indonesia. For instance, if you meet a pal on the street, usually the very first thing they are going to remark is your bodily look; your weight and the color of your pores and skin. Digital media usually reinforces this on a regular basis follow to remark and make comparisons on folks’s appearances. Typically folks don’t perceive the impression this seemingly meaningless ‘banter’ has on folks’s vanity.
My faith teaches girls that they have to cowl their aurat – their our bodies. Nonetheless, males will not be required to alter in any respect. This results in unjust outcomes. In instances of sexual violence, usually society and the media think about the girl to be accountable as a result of she wasn’t masking her physique and turns into re-victimised, as a sufferer of stigma.
All of those experiences, each private and from society at giant, type the premise of this sequence. As a younger lady dwelling in Indonesia, I wish to share my interpretation of what optimistic physique picture means, and supply a perspective on why girls ought to really feel physique assured with out being pressured to cowl it or evaluate to others, or be discriminated towards.
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