The Pop Tune Formulation Behind ‘High Gun: Maverick’

Welcome to The Queue — your every day distraction of curated video content material sourced from throughout the online. At this time, we’re watching a video essay that explores why High Gun: Maverick’s finest scenes hit like a pop track.

For those who haven’t seen High Gun: Maverick but, congratulations, you’re a statistical anomaly.

And like all mainstream, in style media, High Gun: Maverick is an expertly crafted, emotional, and business product. This isn’t a slight; removed from it. In spite of everything, popular culture is in style for a cause.

And very like different in style media, like pop songs, sure scenes in High Gun: Maverick observe sure patterns. Considered one of them uncannily so.

Early within the movie, Tom Cruise‘s titular aerial dangerous boy is tasked with flying a hypersonic scramjet at Mach 10, or this system will probably be closed. What follows is a push and pull of pressure and launch that maps disturbingly nicely to the well-known call-and-response construction of a pop track (e.x. verse / refrain / verse / refrain / bridge / verse / refrain / outro).

It’s a rollercoaster stuffed with ups, downs, twists, and turns. The essay makes a captivating taxonomic leap that I personally am going to steal shifting ahead (and it’s best to too). Pop music is “physique music.” Likewise, motion motion pictures are “physique cinema.” You’re feeling it in your bones even when you know the way it’s going to end up. In fact, Maverick goes Mach 10. The query is learn how to make that journey as invigorating as potential.

Watch “This High Gun Scene Is Like A Good Pop Tune”

Who made this?

This video essay on why a sure scene in High Gun: Maverick appears like a pop track was created by The Nerdwriter, a.okay.a. Evan Puschak. The Nerdwriter covers every thing from artwork to tradition, to philosophy and politics. Which is to say, uh, absolutely anything. You possibly can take a look at The Nerdwriter’s eclectic again catalog and subscribe to their YouTube channel right here. And you may observe Puschak on Twitter here.

Extra movies like this

Associated Matters: The Queue, Tom Cruise, High Gun: Maverick

Meg Shields is the common-or-garden farm boy of your desires and a senior contributor at Movie College Rejects. She at the moment runs three columns at FSR: The Queue, How’d They Do That?, and Horrorscope. She can also be a curator for One Good Shot and a contract author for rent. Meg may be discovered screaming about John Boorman’s ‘Excalibur’ on Twitter right here: @TheWorstNun. (She/Her).