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The rise of Jack Harlow has been considered one of hip-hop’s most curious narratives over the previous two years. To this point in 2022 he’s had an enormous pop hit, “First Class,” and launched his second main label album, “Come House the Children Miss You,” which debuted at No. 3. He’s considered one of hip-hop’s greatest rising stars, and one whose goals are purely centrist.
He’s additionally white, and that is, essentially, fraught territory; Harlow’s album rollout has not been with out hiccups. However extra fascinating are his goals — to not be a crossover pop star who bypasses the hip-hop mainstream, however to make a model of hip-hop a lot totally different than his Black friends, and be accepted for it.
On this week’s Popcast, a dialog about Harlow’s musical selections, the touch-and-go features of his album rollout, and the lengthy historical past of white rappers and the various levels of embrace they’ve achieved.
Company:
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Hunter Harris, creator of the Hung Up e-newsletter
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Larisha Paul, who writes about music for Billboard, The Fader and others
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Peter Rosenberg, a number on New York’s Scorching 97 (WQHT-FM) and a number of the “Juan Ep Is Life” podcast
Join With Popcast. Turn out to be part of the Popcast group: Be a part of the present’s Fb group and Discord channel. We wish to hear from you! Tune in, and inform us what you suppose at popcast@nytimes.com. Observe our host, Jon Caramanica, on Twitter: @joncaramanica.
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