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Nolan goes again to black (and white).
Welcome to The Queue — your every day distraction of curated video content material sourced from throughout the online. Right this moment, we’re watching a video essay that explores why Oppenheimer’s particular black and white IMAX segments are vital.
As of this text, now we have but to be graced with Christopher Nolan’s Oppenheimer, a biopic in regards to the father of the atomic bomb. However one of many few crunchy particulars we do know is that the movie will alternate between colour and black-and-white. Nolan has used this visible distinction earlier than, in his 2000 movie Memento. However what makes Nolan’s use of black-and-white this go-round totally different is that it’s going to be in IMAX.
“Wait a minute,” you say. “Why is that vital not to mention attention-grabbing?” Effectively, my pal. Black and White IMAX movie is actually being invented for Oppenheimer. Kodak is making 15 perforation 65mm movie in black-and-white for the primary time ever within the yr of our lord 2023. Nolan isn’t simply changing colour movie to black-and-white in post-production. He’s commissioning an trustworthy to god new sort of analogue movie for his new film. And that’s cool as hell.
Nolan being Nolan, using black-and-white doubtlessly has some sort of narrative significance. And the video essay under’s guess might be appropriate: that it’s a significant visible metaphor for a historic public determine typically depicted in black-and-white phrases.
The video essay additionally digs into what this alternative has to do with movie preservation and why Nolan champions analogue movie as a preservation format over digital. Take pleasure in!
Watch “Why OPPENHEIMER’s B&W IMAX Movie is so particular”
Who made this?
This video essay on what makes the black and white IMAC pictures in Christopher Nolan’s Oppenheimer so thrilling is by Body Voyager. Body Voyager is run by John and Anna Owens. You will discover extra of their video essay content material on YouTube right here.
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Associated Subjects: Black and White, Christopher Nolan, The Queue
Meg has been writing professionally about all issues film-related since 2016. She is a Senior Contributor at Movie Faculty Rejects in addition to a Curator for One Excellent Shot. She has attended worldwide movie festivals similar to TIFF, Scorching Docs, and the Nitrate Image Present as a member of the press. In her day job as an archivist and data supervisor, she commonly works with bodily media and is dedicated to making sure ongoing bodily media accessibility within the digital age. You will discover extra of Meg’s work at Cinema Scope, Useless Central, and Nonfics. She has additionally appeared on quite a lot of film-related podcasts, together with All of the President’s Minutes, Zodiac: Chronicle, Cannes I Kick It?, and Junk Filter. Her work has been shared on NPR’s Pop Tradition Completely happy Hour, Enterprise Insider, and CherryPicks. Meg has a B.A. from the College of King’s Faculty and a Grasp of Info diploma from the College of Toronto.
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